Based
in United Kingdom

I am drawn to the space between visibility and mystery, and this tension drives my practice as a painter. Through working with thick oil paint, bright colour, and material layering, I explore how certain experiences, especially those shaped by gendered calm and conflict, can be held in paint without reduction to literal narrative. My work often reflects embodied responses to lived experience, where surface, gesture, and concealment are ways of thinking rather than merely illustrating.

I hold two Master’s degrees in Fine Art from universities in England and Pakistan, which have deepened my technical grounding and given me a global perspective on cultural encounter, representation, and artistic agency. This dual academic background informs my ongoing engagement with questions of identity, memory, and ethical representation through studio practice.

Oil paint and pastel are not just tools but ways of exploring what is known and unknown, revealed and withheld. My work is an ongoing enquiry into how images can carry meaning, respond to cultural pressures, and articulate presence through material action.

I continue to develop this enquiry through both process and reflection.